"Let 'em all go to hell, / Except Cave 76!" —
Mel Brooks, Two Thousand Year Old Man
Here's a word and a concept you need to understand politics: "Wogs."
More specifically, you need to understand the terms as pronounced by
Colonel Blimp, sometime between, say 1897 and the early 1920s, when the
British Empire was at its peak.
Now Colonel Blimp — a stereotype I will use shamelessly — is a variety of British Upper Class Twit but
in all surface ways the opposite. Whereas the Monty-Pythonesque twit is
weak and withdrawing, when not kicking beggars, Colonel Blimp is
grotesquely robust and healthy: Teddy Roosevelt with a "public school"
British accent but without Teddy Roosevelt's actual education and
intelligence or need to ever — not ever! — overcome disability. When
Colonel Blimp's regiment were shitting themselves to death from cholera
and wasting away from tropical diseases, the Colonel himself was in
tip-top health and thoroughly enjoying a full-on English breakfast
(lunch, high tea, dinner, supper, postprandial snack — then cheese with
port) before going out to harangue his men for their laziness and lack
of good British pluck.
Got the picture? Now concentrate on the sound as Colonel Blimp heads
out for a day of fox hunting and poacher thrashing and pronounces the
sentence, "The wogs begin at Calais." That's "Calais," as in the French
coastal city across from Dover, England, but pronounced to rime with
"malice": like "callous."
Colonel Blimp's point is that the inferior people's of the Earth begin when one leaves "this sceptered isle […] this England" (Richard II
2.1) and encounters the Others, in this case the French, and then the
great land masses of the Old World and their human masses of
increasingly wretched refuse of increasingly negligible peoples.
Colonel Blimp sees himself as good, sound, Anglo-Saxon stock, though he
might overlay that with the conviction that his people weren't
Anglo-Saxon really but their Norman conquerors. In any event, he was of
the English race — a term Winston Churchill could use as late as 1950 — and the English race is superior to the duskier peoples or the "lesser breeds without the law," to appropriate a phrase from Rudyard Kipling "Recessional," but removing any of the nuance or distrust of hubris you might find in Kipling; Colonel Blimp doesn't do nuance, or humility.
However, as the Python people properly observed about upper-class twits
more generally, Colonel Blimp's wogs begin long before Calais, for
example a couple or three neighborhoods away in London, when the Colonel
and Lady Blimp condescend to travel to London — or among the peasantry
in the village on the Colonel's ancestral estate.
Such common folk are
White, almost always in classic Blimp (Victorian) times, and usually
Protestant and Anglo-Saxon: WASPs in American terms. But really! The
lower orders are, well, lower, as God made them. So, under most
conditions, figurative wogs can begin down the hill, among the middle,
working, and lower classes.
Mel Brooks's 2000-Year-Old Man gave as the first national anthem, "Let
em all go to hell / Except Cave 76!", and this is quite right as a
summary of the essence of patriotism, loyalty to the nation. But the
nation isn't always sufficiently threatened that one can see millions of
strangers as fellow members of "Cave 76." Indeed, Cave 76 can be very
small and not defined geographically. For Colonel Blimp, at various
times and under various circumstances, Cave 76 could be the small
power-elite sharing his class and accent and illusions of pure
Anglo-Saxon or even purer Norman origins.
Okay, sometimes
"Cave 76" can be pretty arbitrary, as when, our paper-delivery boy
explained to us, what the grownups saw as a race riot in his high school
was more of "a bunch of thugs who wanted to fight," and "Instead of
dividing up 'skins' and 'shirts,' they divided Blacks and Whites." That
can be dangerous enough, but the result at the high school was only a
brawl. When "Cave 76" starts getting sophisticated, those brawls can
become feuds, then tribal armed conflict, and then large-scale,
full-scale wars.
When "Cave 76" goes into its Blimpish mode, there is the danger not
only of conflict with fairly obvious Others, but an equally pernicious
ignoring of the suffering of one's own neighbors.
We in the US have never seriously competed with our British cousins in
the production of upper-class twits, primarily, I think, because of our
prejudices against inbreeding. But we are starting to develop our own
varieties of Colonel Blimp, whose figurative caves are communities of
the rich looking out upon a sea of inferiors, and wishing to hell all of
us wogs, 99% and more.